THE DEAD SEA SCROLLS ... CHRISTIAN MYTH ... Astrotheology of Shamanism

DID THE TITLE OF CHRIST 

PREDATE JOSHUA/JESUS ?

THE ESSENE CODEX

The Book of Secrets

The Divine Throne Chariot

The Thanksgiving Psalms 

The Parable of the Bountiful Tree

A Baptismal Liturgy

The Coming of Melchizedek

Tongues of Fire

The Book of Giants

Working from many thousands of scroll fragments recovered in eleven caves near Qumran, researches have identified approximately 800 different original manuscripts.

A few scrolls were fairly intact when found, others have been tentatively pieced together, still more exist only as small scraps of parchment. 

The preserved portions of a scroll often give only glimpses of what might have existed in the complete text.

WERE THE ESSENES ... SHAMANS ?

ARCHETYPES : HORUS THE SUN GOD

...BORN FROM THE VIRGIN ISIS ...( MARY )

THE STORY BEHIND THE BIBLICAL ACCOUNTS FOLLOW EGYPTIAN MYTHS .............AS ARCHETYPES

It will be disconcerting for some to learn that behind many of our Biblical stories and accounts in traditional scripture lay Egyptian myths that attempt to relate and explain metaphysical realities to the finite minds of people. One only has to begin a serious attempt to study the origins of many Old and New Testament accounts to find that behind them lay a mythological nature.

The story of Horus, a major Egyptian God, is told in the Book of Vivifying the Soul Forever over 3,000 years before the birth of Christ. The Jesus story in the Bible is in many places a recycled version of the Horus story.

ARCHETYPES

Understanding Archetypes helps us realize why almost every nation since the beginning of time has had their own "Jesus Story" in one way or the other and why the lives of the Sun gods read not only like the "Jesus Story" but are identical parallels in so many places.

Divine ideas are being shared by the Invisible God with mankind which he expresses as best he can in his symbolic representations of such Divine Truth which took the form of his Sun gods and other stories of "the Karest/Christ" like our "Jesus Story".

METAPHYSICAL REALITIES

In so doing let us use the example given us by Plato……

Plato thought a lot about the natural world and how it works. He thought that everything had a sort of ideal form, like the idea of a chair, and then an actual chair was a sort of poor imitation of the ideal chair that exists only in your mind.

One of the ways Plato tried to explain his views on the world of "forms" and "ideas" was with the famous metaphor of the cave. He said, Suppose there is a cave, and inside the cave there are some men chained up to a wall, so that they can only see the back wall of the cave and nothing else. These men can't see anything outside of the cave, or even see each other clearly, but they can see shadows of what is going on outside the cave.

Answer for yourself:

Wouldn't these prisoners come to think that the shadows were real, and that was what things really looked like?

Suppose now that one of the men escaped, and got out of the cave, and saw what real people looked like, and real trees and grass. If he went back to the cave and told the other men what he had seen, would they believe him, or would they think he was crazy? Plato says that we are like those men sitting in the cave: we think we understand the real world, but because we are trapped in our bodies we can see only the shadows on the wall (we are unaware of the metaphysical realities around us).

One of his goals is to help us understand the real world better (the realm of God, the realm of the neteru, the Invisible Realm of God) by finding ways to predict or understand the real world even without being able to see it.

The material world was generally thought of as an aspect of the spiritual (Energy) world.

The material world as understood as the Cosmos above, its laws, its operation, its cycles and patterns affected the material world below as seen in Mother Nature, its laws, its operations, its cycles and patterns.

That is why Egypt would say: "As Above, So Below".

Together both danced in harmony following the Sun across the sky and celebrated its equinoxes and solstices. The Egyptians took note of this and from intense observations over thousands of years came to understand the world of "forms", in my estimation, ... this information is available to us today only for the last two hundred years. We are truly so fortunate to have lived in this time.

Answer for yourself:

So, understanding this, then does his help why almost every nation since the beginning of time has had their own "Jesus Story" in one way or the other and why the lives of the Sun gods read not only like the "Jesus Story" but are identical parallels in so many places? Are we confronted in the lives of the Sun gods and the nation's "Karest/Christ" stories, and even in our "Jesus Story", with Divine ideas that are being shared by the Invisible God with mankind which expresses Heavenly concepts and Divine Truths which mankind captured and immortalized in their religious allegories and myths?

Is this why that our "Jesus Story", the Christian story of its "Christ" read like so many of the prior nation's stories of their "Karests/Christs" and Sun gods?

ANCIENT UFO'S IN ARTWORK

TOUCHED BY ANGELS


The appearance of fiery chariots and hovering discs in Renaissance Era paintings - as well as beings working their controls and/or attired in garb that we commonly recognize today as spacesuits - proves, at least, that UFOs were being sighted in medieval times.

While no direct connection can be isolated from this, between space aliens and religious icons, there certainly is a lot of supernatural phenomena associated in and around these depictions.

The common images of one or more hovering saucer shaped metallic craft, often with highly intense beams of light emanating from the bottom, intelligently controlled and traveling at outrageous speeds - as if the artists witnessed these things first hand - are not in any sense ordinary events, even in modern times.

It is extremely hard to find mention of these events, but they do exist - as scattered fragments, vague remnants, survivors of censorship.









THE KISS OF AWAKENING

One possible explanation is that these paintings were commissioned (by the church or the state) to place these phenomena in a deified context. Officially declared to be the vessels of angels, the peasants would ask fewer annoying questions - that likely, the clergy of the day had scant answers for themselves. It is likely that ancient UFO sightings coincided with important historical and political events - and just as likely that the sightings impressed, or pressured, leaders of the day to take bold, or unusual actions.

One set of images depicts a late 8th century battle, in which Saxon Crusaders besieged and surrounded the people of SigiburgCastle, in France- when suddenly a group of saucers appeared in the sky, apparently hovering over the top of the church. The Saxons fled, believing that the French were being protected by the "flaming shields."

It was a very superstitious time - but people, as today, knew what they saw - though they probably had little context to associate with it. While there were certainly no flying machines (designed by humans) in those times, there were sailing ships - people were familiar with portholes. Some depictions illustrate these and other classic UFO details - begging the question: what did the ancients think of flying saucers?

BAPTISM

DIVINE CHARIOT

Today, we are more comfortable with the idea of beings from outer space. For one thing, we know our world to be a planet, orbiting a star that is one of billions in a rather ordinary galaxy, floating somewhere in the vast reaches of the incalculably infinite universe. 

People of ancient times were told quite the contrary - that Earth was the center of the universe, the planets were gods, and the stars were fixed points of light on the inside of a celestial sphere. 

Any close encounter of any kind would most likely have been met with immediate extreme fear and wonder (as is the case today, for the most part), but considered without question to be angels, gods, demons or monsters. 

Their assertions may have been more on the mark than ours......

CRUCIFIXION ............PAINTED AD 1350

CRUCIFIXION ............PAINTED AD 1350

There were no airplanes, weather balloons, or experimental military jets to explain away the UFOs native to the skies of the pre industrial aeons. 

Events such as these would not have been as easily dismissed. Would those who witnessed such craft or encountered such beings first hand, be feared as witches, seen as cursed ~ or even blessed? 

A medieval abductee might descend from the mountain saying, in a reverent but dazed tone, "I have been touched by the angels."

U.F.OLOGY: a modern mythology emerges from the primordial Ocean. Ra, the Son-Disc, resurfaces from the abyss of Nu, born of Water.

THE KINGDOM OF HEAVEN IN THE QUANTUM CATHEDRAL

ABORIGINAL ART

Glorification of the Eucharist by Bonaventura Salimbeni 1600

La Tebaide by Paolo Uccello 1465 (close-up)

Madonna with St.Giovannino by Domenico Ghirlandaio 15th century

THE STAR CHAMBER OF ISIS ... WORLD OF ARCHETYPES

The Star Chamber Of Isis

THE WORLD OF ARCHETYPES


When one experiences a shamanic journey our pulse rate increases at the same time that our blood pressure drops.


This is also what happens as the body is preparing to die.


As the life-force leaves our body through the pineal gland, another flood of DMT is released.


I believe that the initial stages of a shamanic journey replicate this near death experience and so triggers DMT release in the brain.

Lore has it that the pineal gland is the gateway into the soul.


An energy vortex; a meeting place between psyche and soma, soul and body.

I believe that shamanic work combined with breathwork brings large volumes of oxygen and life-force into the bloodstream and, because of its excellent blood-supply, the pineal gland receives much stimulation from the oxygen/ prana drenched blood causing it to resonate/ vibrate thereby stimulating the release of DMT, our body's own powerful psychedelic.

Merkabah, is the divine light vehicle used by ascended masters to connect with and reach those in tune with the higher realms. 

Mer-Ka-Ba means the spirit/body surrounded by counter-rotating fields of light, (wheels within wheels), spirals of energy as in DNA, which transports spirit/body from one dimension to another. It is taught that one can activate a non-visible 'saucer' shaped energy field around the human body that is anchored at the base of the spine.


Depending on the height of the person doing the exercise, this field is about 55 feet across.


Once activated, this 'saucer' shaped field is capable of carrying ones consciousness directly to higher dimensions.


Ancient people knew of the importance of the pineal gland .....to the priests of Heliopolis, the embalmers of ancient Egypt (who were the forerunners of today's pathologists), the Star Chamber of Isis (the Holy of Holies) and the Halls of Anubis and Thoth were not just fanciful terms given to mythical locations but were actually places within the living brain where the priests and priestesses travelled to be taught by the gods.

ANUBIS

The following is a description of The Star Chamber of Isis given by a priest of Isis undergoing the Rite of the Meeting of Mind with Mind

ISIS


The corridor is long and narrow and gleams like the inside of a shell drawn from the depths of the sea. The curtains that guard the entrance are of the softest gossamer, so fine that they seem like mist on a lake at dawn. As I pass through them I come into the presence of the Gods. The walls are of silver and give off a faint silver light that illuminates this holy place. Beneath my feet is the sandy silt of the sacred Nile, and all about me I hear the heartbeat of Isis .


Behold, I dwell in the Star Chamber of the Goddess.

SYNCHRONICITY

CARL JUNG AND THE STATE OF THE SHEEEEEEEPLE

Baaaaa ....Baaaaa ....Baaaaa  ! ! ! !






Though not the first to analyze dreams, he has become perhaps one of the most well known pioneers in the field of dream analysis.

 Many pioneering psychological concepts were originally proposed by Jung, including the Archetype, the Collective Unconscious, the Complex, and Synchronicity.

Jung's work on himself and his patients convinced him that life has a spiritual purpose beyond material goals. 


Our main task, he believed, is to discover and fulfill our deep innate potential, much as the acorn contains the potential to become the oak, or the caterpillar to become the butterfly. based on his study of Christianity, Hinduism, Buddhism, Gnosticism, Taoism, and other traditions. 


Jung perceived that this journey of transformation, which he called individuation, is at the mystical heart of all religions. It is a journey to meet the self and at the same time to meet the Divine.








Jung gave the modern world a model of the unconscious, what Jung called the "personal unconscious", but he also proposed the existence of a second, far deeper form of the unconscious underlying the personal one. 


This was the collective unconscious, where the archetypes themselves resided, represented in mythology by a lake or other body of water, and in some cases a jug or other container.

Jung stressed the importance of individual rights in a person's relation to the state and society. He saw that the state was treated as "a quasi-animate personality from whom everything is expected" ....


but that this personality was "only camouflage for those individuals who know how to manipulate it", and referred to the state as a form of slavery. 


He also thought that the state "swallowed up [people's] religious forces", and therefore that the state had "taken the place of God"—making it comparable to a religion in which "state slavery is a form of worship". 


Jung observed that "stage acts of [the] state" are comparable to religious displays: "Brass bands, flags, banners, parades and monster demonstrations are no different in principle from ecclesiastical processions, cannonades and fire to scare off demons". 








From Jung's perspective, this replacement of God with the state in a mass society led to the dislocation of the religious drive and resulted in the same fanaticism of the church-states of the Dark Ages .....


wherein the more the state is 'worshiped' ...


the more freedom and morality are suppressed ...


this ultimately leaves the individual psychically undeveloped with extreme feelings of marginalization.

EIN SOF ( HUNAB KU ) AND TZIMTZUM

EIN SOF ( HUNAB KU )




Coincidentia Oppositorum ... splitting the human experience of reality into space and time ...TZIMTZUM

EIN SOF…. meaning the Being that has “no end.” ( HUNAB KU )

TZIMTZUM ...contraction, forming an "empty space" in which creation could begin.

Wheels within wheels



In the initial stage of revelation, the prevalent manifestation was that of the infinite Light. Contained within the  Ein Sof in a most sublime way was the potential for finitude, however initially it was undistinguished from the powerful manifestation of the  Ein Sof.


In order for creation to take place it was necessary somehow to conceal this infinite Light, thus creating a vacuum for the Finite Light to be revealed. One may draw an analogy to a ray of light from the sun. While it is within the sun, the ray has no independent identity because it is totally nullified by the greater light of the sun itself.


Only when the ray has left the sun can it be recognized and perceived as having an independent identity








EIN SOF ...EMINATING THE EMINATED







EMANATION OF LIGHT ( FROM HUNAB KU )


Prior to Creation, there was only the infinite  Ein Sof filling all existence. When it arose in G-d's Will to create worlds and emanate the emanated...He contracted Himself in the point at the center, in the very center of His light.

He restricted that light, distancing it to the sides surrounding the central point, so that there remained a void, a hollow empty space, away from the central point... After this tzimtzum... He drew down from the  Ein Sof a single straight line [of light] from His light surrounding [the void] from above to below into the void....


In the space of that void He emanated, created, formed and made all the worlds.

To explain ….a parallel may be drawn from the world of teaching.

Imagine Albert Einstein entering a primary school and being invited to teach a class of elementary mathematics.









THE ART OF GENIUS ...EINSTEIN

 For the genius to communicate with the child’s mind, it is necessary that he put to the side all the theories and complexities of advanced mathematics and to focus on basic addition.

 In time, the child he is teaching may progress to study mathematics in high school, college, and then university. The student may even become a professor of mathematics himself, and may even surpass Einstein in brilliance. However, in the first stages the end product was concealed.

The same is true with regards to Tzimtzum–G-d purposefully drew back the infinite to create a space in which finitude could be realized.







EINSTEIN ...JOKING APART







INFINITE SPIRALS DESCENDING AND ASCENDING

There is no where we have to go, no other place to be and that here and now is the right place and time to be .
There is only the now.

Something inside starts to open up, we find golden answers right

Underneath and inside…… The spiral form

... illuminating the Divine plan as it unfolds itself in our world, being in constant relationship with each other.

In the teaching metaphor the purpose of Einstein removing quantum theory from his mind was to reveal elementary mathematics to the student. The process was for the purpose of revelation, so that the student would eventually progress to higher levels.

 The same is true of the Tzimtzum.

The purpose of the Tzimtzum was not mere concealment, but also for revelation— a descent for the purpose of ascent. Through Tzimtzum a finite world was created. The Torah can be likened to clothing or garments that are covering the  Ein Sof. This world, with all its limitations, cannot contain the Infinite Light in its revealed state, but it can in concealment.

Within this world one could reveal the pre-Tzimtzum  Ein Sof as it is enclothed within the Torah fulfilling the purpose of creation to create a dwelling for G-d in this lowest realm.





In terms of human history, the revelation of this Light will take place in stages. At present the Light is concealed, but as history progresses there will be a greater revelation of the pre-Tzimtzum Light and even more so in the future.

Internally, the real purpose of Exile is to reveal “COMPASSION”.

This acts as an arousal from below and elicits a response from above ......

STARSEEDS ...PANSPERMIA

STAR SEEDS

Panspermia

..... suggests that life seeds came from outer space and planets exchanged life. Panspermia literally means seeds everywhere.

Panspermia suggests that life could have existed on another planet and moved to Earth. Statistics have showed 7.5% of rocks from Mars reach Earth. The rocks would travel between less than 100 years to 16,000 years and more to get to earth.

Crick, Francis Harry Compton (1916–2004)

English molecular biologist who shared, with J. D. Watson, the 1962 Nobel Prize in Physiology or Medicine for elucidating the double-helix structure of DNA.

Crick was led by his belief that the chances of life originating on Earth were very low to argue the case for panspermia and, in particular, a radical form of this hypothesis known as directed panspermia. More recently, Crick had been involved with examining the possibility that RNA was the first replicator molecule on Earth during an early biological era known as the ''RNA world''.

The RNA world hypothesis proposes that a world filled with life based on ribonucleic acid (RNA) predates the current world of life based on deoxyribonucleic acid (DNA) and protein. RNA, which can both store information like DNA and act as an enzyme like proteins, may have supported cellular or pre-cellular life. 


Some hypotheses as to the origin of life present RNA-based catalysis and information storage as the first step in the evolution of cellular life.

The RNA world is proposed to have evolved into the DNA and protein world of today. DNA, through its greater chemical stability, took over the role of data storage while protein, which is more flexible in catalysis through the great variety of amino acids, became the specialized catalytic molecules. 


The RNA world hypothesis suggests that RNA in modern cells, in particular rRNA (RNA in the ribosome which catalyzes protein production), is an evolutionary remnant of the RNA world.

STARS ARE LIFE SEEDS

During early development an embryo enters a stage. This stage under a microscope looks just like an APPLE. This is known as the "Torus Stage." The shape is called a "Morula." Every single form of life goes through this stage. This is the "apple" that was written about in the Garden of Eden. 

This is where Satan went against the other Gods and gave us more advanced genetics. The "breath of God" is the soul. The chakras are the psychic energy centers that are activated by BREATHING in certain ways to enable the Kundalini to ascend. When the Kundalini Serpent ascends, enlightenment/Godhead is achieved.

The Tree of Life is Ancient Egyptian in origin. It is actually a pattern, either upright or upside-down for the genetics of life. It plugs into the Flower of Life that has been inscribed upon so many walls in Egyptian temples and also in the pyramids. The Flower of Life is the blueprint for every living thing.




THE FLOWER OF LIFE

THE PEACOCK ANGEL

Nature as a whole is far more aware and intelligent than humans and humans are not divorced from nature .....there is much more that humans don't know ....than what they think they assume to ever know

CHAOS ...THE BADASS FRACTAL

LOST IN PARADISE ...THE BADASS FRACTAL ...a world within a world ...Chaos Or Khaos

CHAOS or KHAOS is the personification of the void that existed before the creation of the world.
 
She's sometimes described as a mixture of the elements, from which everything was made, but it's more correct to say that she represents the 'nothing' that must exist before there can be 'something'.
 
The 'formless void' the 'dark face of the waters' that genesis describes is pretty much what the Greeks meant by Khaos.
 
From her, all the primordial gods came into being.
 
 
CHAOS THEORY…a small change at one place in a complex system can have large effects elsewhere….
 
 
THE BUTTERFLY EFFECT
 
The phrase refers to the idea that a butterfly's wings might create tiny changes in the atmosphere that may ultimately alter the path of a tornado or delay, accelerate or even prevent the occurrence of a tornado in a certain location. The flapping wing represents a small change in the initial condition of the system, which causes a chain of events leading to large-scale alterations of events (compare: domino effect). 

Had the butterfly not flapped its wings, the trajectory of the system might have been vastly different. While the butterfly does not "cause" the tornado in the sense of providing the energy for the tornado, it does "cause" it in the sense that the flap of its wings is an essential part of the initial conditions resulting in a tornado, and without that flap that particular tornado would not have existed.


 
THE MANDELBROT SET : ( by mathematician Benoît Mandelbrot )
 
Space Curves and Surfaces Consisting of Parts Similar to the Whole …as above so below ….GENESIS …humans were made in OUR image
 
… is a famous example of a fractal …it goes on forever ..and ever ...and ever



ONE BADASS FRACTAL







THE STATE OF BECOMING


Everything you perceive in your dream appears in the form of a question mark. 


You are always answering the question mark of your present experience with your attention. As an endlessly creative entity, you are always in the process of creating; affecting and feeling affected by your own power. You’ve literally built into your dream a mechanism to provide you with constant feedback to adjust your attention and reveal a completely new or different creation and reflection of your power.

Now, hold onto the vibration of how you imagine yourself feeling after having dissolved whatever limiting beliefs you’ve given away your power to in the holographic nature of your mind. As you dive into the untold, unknown reflections you are Becoming RIGHT NOW, you must continue to acknowledge your power, no matter how uncomfortable; further reintegrating everything you’ve separated yourself from; revealing your natural state more and more.

Reality is asking you if you’ve enjoyed a different experience; one that is more in alignment with the nature of your natural state.The reflection of your reality never lies. Your reality is ALWAYS giving you a perfect illustration about where your directing your attention. Remember, reality (The Dream) is always asking, and you are eternally answering with your effortless attention. 

REALITY ...IS ALWAYS IN THE STATE OF BECOMING








 

 


Frost crystals formed naturally on cold glass .... illustrate fractal process development in a purely physical system







MATHEMATICS AND ART (understanding there are worlds within worlds )


 



UNDERSTANDING NATURE ( as our best friend ) awesome and majestic


 




YOU ARE WHAT YOU THINK YOU ARE ...


I have no thoughts, so I will see. 
I fear nothing, so I will remember myself.

- The Active Side of Infinity